I think of how our worlds are wound. The winding of worlds creates opportunities for patterns of contact, convergence
and community to form, disperse as such and reform in new configurations.
Sitting on the bank of the Herring Run in July 2019, with watercolors and paper, I tuned in to compositions.
These were not only those formed of moving water, lines, shapes, wind, heat and leaves, but also the communing around which this plein air painting project is structured. My peripheral senses are often stronger than my direct line of sight. And so this setting – a plein air painting date in Baltimore, Maryland, was for me much more about the subject of being, listening and looking together as artists, friends, cousins. It was an opportunity to weave connection into reflections of color, shape, form.